Saturday, November 7, 2020

Terry Eagleton's 'Capitalism, Modernism and Postmodernism'



Introduction

Eagelton’s essay, Capitalism, Modernism and Postmodernism, was first published in the New Left Review in 1983 in which his post Marxist analysis of literature is exposed. He accounts for capitalism influence on art and its role. The capitalist and late capitalist areas have seen two new forms of literature appear: modern and postmodern. The modern, Eagleton explains, 

“In bracketing off the real social world, establish[es] a critical, negating distance between itself and the ruling social order”

while postmodern works accepts the fact that it is a commodity and thus conflicts between its material reality and its aesthetic structure. Capitalism has turned art into a commodity, and after analysing this claim, the characteristics of modern and postmodern genres will be analysed, so as to understand literature’s role. 


Capitalism

  • Definition 

Capitalism is about an economical and political system in which a country's trade and industries are controlled by private owners for profit, rather than by the state. Capitalism includes private property, wage labour, voluntary exchange, a price system, and competitive markets. 


  • Characteristics  

    1. Rich become more rich, and poor become poorer. 
    2. Zero role from the side of government to control the people of the society. 
    3. Private ownership is ready to bring disaster in the society. 
    4. Competition between the business class people which will ruin the daily 
    5. wages for the labour class people.  


There are some positive effects of Capitalism. They are: 

  1. Only consumers get benefit during capitalist movement. 
  2. Efficiency will grow.  

  • Effects on Literature

Art and literature have been influenced by some characteristics of late capitalism, such as virtual reality based on mass consumerism. Our society focuses on commodities sold to and ideologically integrated by the consumer:

“The commodity is less an image in the sense of a “reflection” than an image of itself, its entire material being devoted to its own self-presentation”.

Art has become centred on its own image, role and place within society, because it has somehow lost its utopian role of mirroring the world, as if capitalism has perverted its function: 

“If the unreality of the artistic image mirrors the unreality of its society as a whole, then it is to say that it mirrors nothing real and so does not really mirror at all.” 


 Modernism

  • Characteristics

    1. All traditions were vanished during the modern era.  
    2. Technologicaland scientific invasions became more advanced during modern era
    3. People became ready to adopt the new culture and start avoiding the actual culture.
    4. Individualism emerged on a wide platform. 
    5. Modernism emerged as an international movement. 
    6. All traditions were vanished and people start thinking about the future orientation by killing the deep roots of past.

  • Major Themes 

  1. Doubt and quarry first time raised in the field of literature during modern era. 
  2. Personal issues and psychological condition of the society used to reflect in modern literature.
  3. Unbelievable imaginations flourished during modern era. 
  4. First time in the history of mankind, human beings started questioning the existence of God. 

  • Effects on Literature

Eagleton uses de Man’s deconstructivist theory to define modernism:

"Literature defines and pre-empts its own cultural institutionalisation by textually introjecting it, hugging the very chains which bind it, discovering its own negative form of transcendence in its power of literally naming, and thus partially distancing, its own failure to engage in the real.” 

Modernism attempts at representing the real, but cannot do so and raises a paradox: it “resists commodification” but is nonetheless part of it, thus part of the social and cultural superstructure of society, which it denies. Denying being part of the capitalist mass commodity is the very core of modern failure to represent the real. 


Post-Modernism

  • Characteristics 

  1. Culture become the prominent part of the Post-Modernism with logical reason. Writers try to use cultural parodies. 

  2. Writers emphasised on fragmented forms, discontinuous narratives, and random Reformation materials one can find in literature. 

  3. A rejection of High and Low, and the Popular Culture become the choice of materials to produce the literary art. 

  4. Poetry seems became more documentary (T S Eliot) and prose become more Poetics (e.g. James Joyce and Virginia Woolf) 

  5. In this movement of Post-Modernism, the objectivity provided by the third person narrators with fixed narrative point of views and clear cut moral positions. 

  6. Post-Modernist writers change their tendency towards the reflectivity or the self consciousness about the production of art. Because of this they become more attentive towards their own status as a production owner as something constructed and consumed in particular ways. 

  7. Like modern writers, all post modern writers follow the same ideas like rejection of boundaries, rigid genre distinctions, etc. They emphasize on parody, irony and easily taking literature with their playfulness. 

  •  Effects on Literature 

Postmodernism appears as a more cynical genre. Some of its features are the blurring of boundaries, pastiche and grotesque. It does not attempt to represent the world, since it is virtual, and would thus fail to describe it. Postmodernism seems to be very different from modernism on the ground that:

“If the work of art really is a commodity, it might as well admit it” and “become aesthetically what it is economically”.

Eagleton also suggests that postmodersism aims at parodying the commodity production, without adding any meaning in it; if meaning was added in the pastiche, making it parody, it would serve to alienate the self from reality, and according to postmodern thought, there is no reality it can be alienated from. All these features aim at empting the social content of art.


Conclusion

Thus, Eagleton in his essay Capitalism, Modernism, and Post-Modernism, assessed the features of literature genres characteristic of capitalist stages, in order to draw a critical and theoretical approach of literature. 

Friday, November 6, 2020

Dhvani

 Introduction 

In Indian Poetics, scholars had different view points about kavya that is Literature. So they found different schools of thought I.e. Rasa, Alamkara, Dhvani, Riti, Guna Dosa, Vakrokti Aucitya, and so on. 

Discussion on Dhvani 

Dhvanyaloka by Anandvardhana 

Abhinav  Gupta has discussed the theory of Dhvani aptly but it was Anandvardhana who has first time discussed the theory of Dhvani systematically in his work Dhvanyaloka

Dhvani 

That kind of poetry wherein the conventional meaning renders itself secondary or the conventional word renders it's meaning secondary and leads to the suggested or implied meaning is designated as Dhvani or suggestive poetry. 

Suggested meaning may be of three kinds: 

An idea 

A figure of speech 

An emotion 

Based on this, Anandvardhana classifies Dhvani into three types: 

1. Vastu Dhvani 

Indirect expression of theme 

Examples: 

The Thought Fox by Ted Hughes 

All the World's Stage by William Shakespeare 

2. Alamkara Dhvani 

Indirect expression with the use of figures of speech

Example: 

The Thought Fox by Ted Hughes (use of metaphor) 

3. Rasa Dhvani 

Indirect expression of emotion or rasa realization 

Example: 

When I have Fear I May Cease to Be by John Keats 

Dhvani, Vakrokti and De familiarization 

In Vakroktijivita Kuntaka denied the independent existence of Dhvani and included it under Vakrokti or Striking mode of speech His concept of Vakrokti is also resembling Dhvani but what makes him different is that he explained in detailed obliquity at six levels.  

Dhvani resembles the concept of de familiarization in Russian Formalism as both talk about presentation of known things into striking, indirect or unfamiliar ways. 

Types of Poetry: 

Based on Dhvani, Anandvardhana classifies poetry into three types: 

1. Uttam Kavya 

A poetry which has thoroughly indirect meaning or highly suggestive. 

Example: 

The Thought Fox by Ted Hughes 

2. Madhyam Kavya 

Partly suggestive poetry- not entirely suggestive but not thoroughly direct expression. 

Example: 

As I Walked Out One Evening by W H Auden 

In this poem one can see the mingling of simple as well as suggestive or indirect or connotative language in one poem. 

3. Adham Kavya 

A poetry which has no indirect expression. Even a person having no deep knowledge of language can easily understand the meaning. 

Example: 

The famous nursery rhyme 

 

Jack and Jill went up the Hill

Wednesday, November 4, 2020

Communication #UGCNET

 


Attended a webinar on Communication as a part of the syllabus of UGC NET Paper 1. 



An expert talk on COMMUNICATION was delivered by Dr Om P Joshi Sir. Here I'm sharing some of the highlights from the same in brief. 

What is Communication? 

Communication is the process of sharing our thoughts, emotions, ideas, etc with self, or between or among people in this world.  

Levels of Communication 

1. Intra personal communication 

When a person talks to himself. Or Communication with self. 

2. Inter personal communication 

Communication between or among people. 

3. Extra personal communication 

Communication with non living things or non human being. 

 

Types of Communication 

1. Non Verbal communication 

1) Kinesics 

It includes gestures, postures, eye contact, facial expressions, personal appearance etc.  

2) Proxemics 

Based on the distance between or among people it is divided into four parts:  

Intimate 
Personal 
Social 
Public 

3) Chronimics 

It indicates how a person can be judged based on time, punctuality.  

4) Para linguistics 

A person can be judged or observed based on the way he uses the language. It includes pauses, intonations, articulation, voice modulation, pronunciation, etc.  

2. Verbal communication 

1) Oral Communication

2) Written Communication 

 

Process of Communication 

 


Barriers to effective Communication 

These are the five major barriers that occur during the process of Communication. They are the obstacles or hurdles to effective communication

  • Semantic Barriers / Linguistic Barriers 

Occurs because of language, pronunciation, or multiple meanings of some words.  

  • Inter personal Barriers 

Occurs because of lack of interest in communication, focused listing, Prejudice for others, and so on.  

  • Psycho sociological Barriers 

Psychological condition of the sender or receiver which creates obstacles in the process of Communication. 

  • Cross cultural Barriers 

Occurs when people from different cultures interact and because of being unfamiliar with the meaning of some expressions in different cultures.  

  • Physical Barriers 

It occurs due to surrounding noises or other disturbances.  


Questions related to Communication in UGC NET Paper 1 

Sir tried to give examples from questions asked in previous UGC NET exams. 




Useful e tutorials for UGC NET Paper I 

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