Introduction
In Indian Poetics, scholars had different view points about kavya that is Literature. So they found different schools of thought I.e. Rasa, Alamkara, Dhvani, Riti, Guna Dosa, Vakrokti Aucitya, and so on.
Discussion on Dhvani
Dhvanyaloka by Anandvardhana
Abhinav Gupta has discussed the theory of Dhvani aptly but it was Anandvardhana who has first time discussed the theory of Dhvani systematically in his work Dhvanyaloka.
Dhvani
That kind of poetry wherein the conventional meaning renders itself secondary or the conventional word renders it's meaning secondary and leads to the suggested or implied meaning is designated as Dhvani or suggestive poetry.
Suggested meaning may be of three kinds:
An idea
A figure of speech
An emotion
Based on this, Anandvardhana classifies Dhvani into three types:
1. Vastu Dhvani
Indirect expression of theme
Examples:
The Thought Fox by Ted Hughes
All the World's Stage by William Shakespeare
2. Alamkara Dhvani
Indirect expression with the use of figures of speech
Example:
The Thought Fox by Ted Hughes (use of metaphor)
3. Rasa Dhvani
Indirect expression of emotion or rasa realization
Example:
When I have Fear I May Cease to Be by John Keats
Dhvani, Vakrokti and De familiarization
In Vakroktijivita Kuntaka denied the independent existence of Dhvani and included it under Vakrokti or Striking mode of speech His concept of Vakrokti is also resembling Dhvani but what makes him different is that he explained in detailed obliquity at six levels.
Dhvani resembles the concept of de familiarization in Russian Formalism as both talk about presentation of known things into striking, indirect or unfamiliar ways.
Types of Poetry:
Based on Dhvani, Anandvardhana classifies poetry into three types:
1. Uttam Kavya
A poetry which has thoroughly indirect meaning or highly suggestive.
Example:
The Thought Fox by Ted Hughes
2. Madhyam Kavya
Partly suggestive poetry- not entirely suggestive but not thoroughly direct expression.
Example:
As I Walked Out One Evening by W H Auden
In this poem one can see the mingling of simple as well as suggestive or indirect or connotative language in one poem.
3. Adham Kavya
A poetry which has no indirect expression. Even a person having no deep knowledge of language can easily understand the meaning.
Example:
The famous nursery rhyme
Jack and Jill went up the Hill
Vah great wonderful
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